Share page | Visit Us On FB |
|
|||
PART II-ARPEGGIOS. |
37 |
||
|
|||
The term Arpeggio, though frequently limited to the particular form given on page44and subsequent pages, properly includes all the various passages which are formed of broken chords, or chords the notes of which are struck separately. Of such passages, the following are the most important, and are indeed indispensable for daily practice.
|
|||
|
|||
CHORD-PASSAGES.
Arpeggios in which the thumb does not pass under the fingers. |
|||
|
|||
Chord of C. |
|||
|
|||
|
|||
The above chord-passages to be practised in all keys, major and minor, with the same fingering.
10209 |
|||
|
|||